Life, Love, Music, Politics,: The Good, Bad, and the Ugly "I say what I mean, I mean what I say."
Thursday, February 28, 2013
Martin Delany: Father of Black Nationalism
According the docuement Two Conceptions of Black Nationalism: Martin Delany on the Meaning of Black Political Solidarity by Tommie Shelby; Shelby says that Black nationalism, as an ideology and philosophy is one, of the oldest and most enduring traditions in American political thught.
Shelby also says the Black nationalist advocate such things as black self-determination, racial solidarity and group self-reliance, various forms of racial seperation, pride in historic achievements of those of African descent, a concerted effort to overcome racial self-hate and to instill black self-love, militant resistance to anitblack racism, the development and preservation of a distinctive black ethnocultural identity, and the recognization of Africa as the true homeland of those who are racially black.
Who is Martin Delany? Martin Robison Delany was an African-American abolitionist, journalist, physician, and writer, arguably the first proponent of American black nationalism. He was one of the first three blacks admitted to Harvard Medical School. Martin Delnay was born May 6, 1812 in Charles Town, West Virgina to Pati and Samuel Delany. Although his father Samuel was enslaved, his mother was a free woman. Both sets of Martin Delany's grandparents were African.
Delany played an important role in the anti-slavery movement from before the Civil War until afterward, and is known as the "Father of Black Nationalism."
Delany, for much of his life, championed emigration of blacks as a way of achieving equality, first to Central or South America, and later to Africa.
"Delany argued that blacks should leave because in order to achieve their rights, they had to form a majority in society," said Richard Blackett, the Andrew Jackson professor of history at Vanderbilt University in Nashville, Tenn.
When his mother, Pati, taught him and his siblings to read and write, they were cited for violating state laws against literacy instruction for black children. Mrs. Delany quickly moved the family to Chambersburg, Pa., 130 miles east of Pittsburgh near the Maryland border, where young Martin could continue his studies without interference. In 1831, at age 19, he headed for Pittsburgh, walking the entire way.When he arrived here, he became a student at a school operated by the Rev. Lewis Woodson of the African Methodist Episcopal Church. Rev. Woodson, who would go on to help establish Wilberforce University, was a strong advocate of black economic independence and was active in the Underground Railroad, which helped slaves escape to freedom in Canada.
Delany was soon involved in the Underground Railroad himself, and later established an abolitionist newspaper, The Mystery. It was published for four years in Pittsburgh, and as one of the only papers to survive a devastating fire in 1845 that destroyed a third of the city, it is still cited by historians of the period.
He also was trained in medicine by two of the leading white physicians of the city, and by 1837, ran this ad in the Pittsburgh Business Directory: "Delany, Martin R., Cupping, Leeching and bleeding."
It was a year after the great fire that Douglass came to the city from his base in Rochester, N.Y., to recruit Delany as co-editor of The North Star.
They never worked in an office together. Instead, Delany went on a "western tour" to Ohio and Michigan to recruit subscribers, and sent a series of travelogue-style letters that were printed in The North Star.
In one of them, he recounted how he and a companion were chased by a white mob in Marseilles, Ohio, northwest of Columbus. Retreating to their hotel, they watched as the mob started a bonfire and threatened their lives.
"Then came the most horrible howling and yelling, cursing and blasphemy, every disparaging, reproachful, degrading, vile and vulgar epithet that could be conceived by the most vitiated imaginations," Delany wrote, "which bedlam of shocking disregard was kept up from nine until one o'clock at night ...With the hotel's proprietor refusing to let the mob in, Delany was able to wait the crisis out and slip away the next day.By the end of his tour, it was already clear that Delany and Douglass were about to part ways on The North Star. Robert Levine, a University of Maryland English professor who wrote a book about the two men, said that by the late 1840s, Delany was accustomed to being a leader, but "as co-editor of The North Star, he was suddenly cast in Douglass' shadow."
The decisive break came when Delany began to advocate black emigration at a time when Fredrick Douglass was still preaching the need for free blacks to continue the anti-slavery battle in America. In 1850 played a big part in his anger toward the country of his birth.That year, he was accepted into Harvard Medical School to complete his physician's training. He was one of three black students at the time, and the faculty embraced them.Most of the white students, however, did not. They approved a motion that read: "Resolved: That we have no objection to the education and evaluation of blacks but do decidedly remonstrate against their presence in college with us." Even though he had invited the African-American students to the school, dean Oliver Wendell Holmes Sr. caved in to the pressure and expelled Delany and the other black students.
In the same year, Congress passed the Fugitive Slave Act, which allowed slave owners to pursue and capture escaped slaves in any part of the country and set up fines for any law enforcement officer who refused to make such arrests.
Because slave owners needed only an affidavit to accuse someone of being a runaway slave, many free blacks were conscripted into slavery by the law, which outraged Delany and contributed to his support for emigration.
In his book, "The Condition, Elevation, Emigration and Destiny of the Colored People of the United States," written during his Pittsburgh years, Delany said:
"Let no visionary nonsense about habeas corpus, or a fair trial, deceive us; there are no such rights granted in this bill, and except where the commissioner is too ignorant to understand, when reading it, or too stupid to enforce it when he does understand, there is no earthly chance, no hope under heaven for the colored person who is brought before one of these officers of the law."We are slaves in the midst of freedom, waiting patiently and unconcernedly, indifferently, and stupidly, for masters to come and lay claim to us, trusting to their generosity, whether or not they will own us and carry us into endless bondage."
Over the next 15 years, Delany argued strongly for emigration, first to Central or South America, later to Africa.
Despite two trips to Africa to negotiate for possible land for settlements, though, none of his plans for blacks to leave the United States came to fruition.He did take such action in his own life, though. In 1856, he moved to Canada, where he would stay until after the Civil War began.Delany was not able to successfully because he did not have his own newspaper and never published an autobiography, said John Stauffer, a history professor and anti-slavery expert at Harvard University. "Delany hasn't persisted in public view primarily because he was not nearly as elegant a writer or eloquent a speaker," he said.
Martin Delany was the friend and rival Fredrick Douglass. This blog consists of research from two different sources which are:
Two Conceptions of Black Nationalism: Martin Delany on the Meaning of Black Political Solidarity by Tommie Shelby
Martin Delany, 'Father of Black Nationalism' By Mark Roth / Pittsburgh Post-Gazette
Read more: http://www.post-gazette.com/stories/sectionfront/life/martin-delany-father-of-black-nationalism-213106/#ixzz2MGU5qKx0
Lupe's Message
Disclaimer: As Black History Month comes to an end I wanted to end this month with song lyrics that resonate some insight for you. Although I do not appreciate rapper Lupe Fiasco's criticism of President Obama; Lupe is still a talented artists and "Bitch Bad" is the second single of his new album Food and Liquor 2. Here are the lyrics I'm going to post the the video next.
"Bitch Bad"
[Intro]
Yeah
I say bitch bad, woman good, lady better
Hey, hey, hey, hey
[Verse 1]
Now imagine there’s a shawty, maybe five maybe four
Ridin’ ’round with his mama listening to the radio
And a song comes on and a not far off from being born
Doesn’t know the difference between right and wrongNow I ain’t trying to make it too complex
But let’s just say shawty has an undeveloped context
About the perception of women these days
His mama sings along and this what she says
“Niggas I’m a bad bitch, and I’m bad bitch
far above average”
And maybe other rhyming words like cabbage and savage
And baby carriage and other things that match it
Couple of things that are happenin’ here
First he’s relatin’ the word “bitch” with his mama, comma
And because she’s relatin’ to herself, his most important source of help,
And mental health, he may skew respect for dishonor
[Hook]
Bitch bad, woman good
Lady better, they misunderstood
(I’m killin’ these bitches)
Uh, tell ‘em
Bitch bad, woman goodLady better, they misunderstood
They misunderstood
(I’m killin’ these bitches)
[Verse 2]
Yeah, now imagine a group of little girls nine through twelve
On the internet watchin’ videos listenin’ to songs by themselves
It doesn’t really matter if they have parental clearance
They understand the internet better than their parents
Now being the interent, the content’s probably uncensored
They’re young, so they’re maleable and probably unmentored
A complicated combination, maybe with no relevance
Until that intelligence meets their favorite singer’s preference
“Bad bitches, bad bitches, bad bitches
That’s all I want and all I like in life is bad bitches, bad bitches”
Now let’s say that they less concerned with himAnd more with the video girl acquiescent to his whims
Ah, the plot thickens
High heels, long hair, fat booty, slim
Reality check, I’m not trippin’
They don’t see a paid actress, just what makes a bad bitch
[Hook]
[Verse 3]
Disclaimer: This rhymer, Lupe’s not usin’ bitch as a lesson
But as a psychological weapon
To set in your mind and really mess with your conceptions
Discretions, reflections, it’s clever misdirection
Cause, while I was rappin’ they was growin’ up fast
Nobody stepped in to ever slow ‘em up, gasp
Sure enough, in this little world
The little boy meets one of those little girls
And he thinks she a bad bitch and she thinks she a bad bitch
He thinks disrespectfully, she thinks of that sexually
She got the wrong idea, he don’t wanna fuck herHe thinks she’s bad at being a bitch like his mother
Momma never dress like that, come out the house, hot mess like that
Ass, titties, dress like that
All out to impress like that
Just like that, you see the fruit of the confusion
He caught in a reality, she caught in an illusion
Bad mean good to her, she really nice and smart
But bad mean bad to him, bitch don’t play your part
But bitch still bad to her if you say it the wrong way
But she think she a bitch, what a double entendre
[Hook]
[Outro]
Bitch bad, woman good
Lady better, they misunderstood
You’re misunderstood
Bitch bad, woman good
Lady better, greatest motherhood
(I’m killin’ these bitches)
Yeah
I say bitch bad, woman good, lady better
Hey, hey, hey, hey
[Verse 1]
Now imagine there’s a shawty, maybe five maybe four
Ridin’ ’round with his mama listening to the radio
And a song comes on and a not far off from being born
Doesn’t know the difference between right and wrongNow I ain’t trying to make it too complex
But let’s just say shawty has an undeveloped context
About the perception of women these days
His mama sings along and this what she says
“Niggas I’m a bad bitch, and I’m bad bitch
far above average”
And maybe other rhyming words like cabbage and savage
And baby carriage and other things that match it
Couple of things that are happenin’ here
First he’s relatin’ the word “bitch” with his mama, comma
And because she’s relatin’ to herself, his most important source of help,
And mental health, he may skew respect for dishonor
[Hook]
Bitch bad, woman good
Lady better, they misunderstood
(I’m killin’ these bitches)
Uh, tell ‘em
Bitch bad, woman goodLady better, they misunderstood
They misunderstood
(I’m killin’ these bitches)
[Verse 2]
Yeah, now imagine a group of little girls nine through twelve
On the internet watchin’ videos listenin’ to songs by themselves
It doesn’t really matter if they have parental clearance
They understand the internet better than their parents
Now being the interent, the content’s probably uncensored
They’re young, so they’re maleable and probably unmentored
A complicated combination, maybe with no relevance
Until that intelligence meets their favorite singer’s preference
“Bad bitches, bad bitches, bad bitches
That’s all I want and all I like in life is bad bitches, bad bitches”
Now let’s say that they less concerned with himAnd more with the video girl acquiescent to his whims
Ah, the plot thickens
High heels, long hair, fat booty, slim
Reality check, I’m not trippin’
They don’t see a paid actress, just what makes a bad bitch
[Hook]
[Verse 3]
Disclaimer: This rhymer, Lupe’s not usin’ bitch as a lesson
But as a psychological weapon
To set in your mind and really mess with your conceptions
Discretions, reflections, it’s clever misdirection
Cause, while I was rappin’ they was growin’ up fast
Nobody stepped in to ever slow ‘em up, gasp
Sure enough, in this little world
The little boy meets one of those little girls
And he thinks she a bad bitch and she thinks she a bad bitch
He thinks disrespectfully, she thinks of that sexually
She got the wrong idea, he don’t wanna fuck herHe thinks she’s bad at being a bitch like his mother
Momma never dress like that, come out the house, hot mess like that
Ass, titties, dress like that
All out to impress like that
Just like that, you see the fruit of the confusion
He caught in a reality, she caught in an illusion
Bad mean good to her, she really nice and smart
But bad mean bad to him, bitch don’t play your part
But bitch still bad to her if you say it the wrong way
But she think she a bitch, what a double entendre
[Hook]
[Outro]
Bitch bad, woman good
Lady better, they misunderstood
You’re misunderstood
Bitch bad, woman good
Lady better, greatest motherhood
(I’m killin’ these bitches)
Saturday, February 23, 2013
Divine Diva
Diahann Carroll was born as Carroll Diahann Johnson on July 17, 1935 in Bronx, New York. She attended Music & Art High School with Billy Dee Williams. By the time she was 15 she began modeling for Ebony magazine she stood at 6 feet tall and had a lean figure. After she graduated from high school she began attending New York University, majoring in sociology.
Carroll's film debut would be in the 1954 film Carmen Jones she also starred in the Broadway Musical, House of Flowers. By 1959 she starred in the film version of Gershwin's Porgy and Bess, in 1960 she made a guest appearance on the series Peter Gun, in 1961 she starred in the film Paris Blues with Sidney Poitier and Paul Newman.
Paris Blues was a film that way ahead of its time in my personal opinion. The cast was incredible the musical score from Duke Ellington and Louis Armstrong was amazing. The film did not get the critical acclaim it deserved in my personal opinion also it touched on an intense subject America's racism and the Civil Rights Movement. Also in this film the African American characters Sidney Poitier and Diahann Carroll were not struggling financially he was a jazz musician and she was a school teacher. It is a good date film or if you want to eat snacks and have a glass of wine you chill and watch this film if you like throwbacks.
In 1962 she starred in the musical No Strings and she became the first African American actress to win a Tony Award. In 1968 she became the first African American actress to star in her own television series, this was significant because she did not play the role of a domestic worker. In 1969 she was nominated for an Emmy for the series, and she won a Golden Globe Award for the role of Nurse Julia. In 1974 she was nominated for an Academy Award as best actress for her role in the film Claudine.
In 1984 she became apart of the nighttime soap opera Dynasty as the feisty Dominique Deverax this role also reunited her with actor Billy Dee Williams as her onscreen husband she was on the show until 1987, and made appearance on the spin-off The Colby's.
In 1989 she joined the cast of A Different World she was a recurring character Marion Gilbert, the mother of the southern debutante Whitley Gilbert, she kept this role until 1993 when the series ended. In 1991 she starred in the film The Five Heartbeats.
She continues work today she has appeared in Grey's Anatomy, Lifetime films such as At Risk and The Font, she currently stars on the USA series White Collar. She is a breast cancer survivor, mother, and grandmother, her career has spanned for nearly six decades.
Diahann Carroll is a diamond we love you and celebrate you. I often joke and tell my friends I want to be like Diahann Carroll when I really grow up I have so much respect for this woman. She has untouchable swagger and elegance that is timeless.
Sir Sidney
Happy Belated Birthday to the legendary Sidney Poitier.
Since the Oscars are right around the corner it is time for a history lesson. In 1963 Sidney Poter was the first African American to win an Academy Award for Best Actor for his role in Lillie's in the Field. By 1967 Sidney starred in three successful films: To Sir with Love, In The Heat of the Night, and Guess Who's Coming to Dinner. He also directed a number of popular films in the 1970's such as Uptown Saturday Night, Let's Do It Again, A Piece of the Action.
Aside from his achievements as an actor and director Poitier has been an activist and diplomat, in 1997 he became the ambassador to the Bahamas and in 2009 he was awarded the Presidential Medal of Freedom, the highest civilian honor in the United States of America.
Tuesday, February 19, 2013
Oh Smokey
Oooh La La La La
I did you wrong
my heart went out to play & in the game
I lost you what a price to pay
I'm cryin'
Oooh Baby,
Baby Oooh Baby, Baby
Mistakes I know I've made a few
But I'm only human
You've made mistakes too
I'm cryin'
Oooh Baby
Baby Oooh Baby Baby
Ooo Baby Baby
Oooh Baby Baby
Smokey Robinson and the Miracles
William "Smokey" Robinson, Jr. was born on this day in 1940, in Detroit Michigan he is a legendary singer-songwriter, record producer, and former record executive. Smokey was the founder and front man of one of Motown's first musical groups which as the Chimes later known as The Miracles. They formed in 1955 and disbanded in 1972. He was the man behind some Motown classic hits from artists such as "My Guy" for Mary Wells, "Ain't That Peculiar" Marvin Gaye, "The Way You Do The Things You Do" The Temptations " Since I Lost My Baby" and their breakout hit "My Girl." He also wrote "Who's Loving You" which would later become known as the "little Michael Jackson song."
Smokey had success as solo artists n the 1970s and 1980s. He also developed a drug addiction to cocaine in the 1970s and eventually he began using crack after the death of his father and friend Marvin Gaye. In 1986 Smokey got clean and has been sober since. After Motown was sold to MCA in 1988 he left his job as Vice-President of Motown 1990.
Smokey Robinson is a legend in the African American musical community he was a member of the historical Motown machine and he is one my influences as a songwriter. Happy birthday Smokey
Saturday, February 16, 2013
Friday, February 15, 2013
Cake Walk
Last year in my Black Classic Films class we watched a clip displaying an interesting piece of Southern African American history; we learned about the "Cakewalk."In slavery and the plantation south, the Cakewalk was the sole organized and even condoned forum for servants to mock their masters. A send-up of the rich folks in the "Big House," the cakewalk mocked the aristocratic and grandiose mannerisms of southern high-society. Much bowing and bending were characteristic of the dance, which was more a performance than anything else. Couples lined up to form an aisle, down which each pair would take a turn at a high-stepping promenade through the others. In many instances the Cakewalk was performance, and even competition. The dance would be held at the master’s house on the plantation and he would serve as judge. The dance’s name comes from the cake that would be awarded to the winning couple.
Carnival in full effect, the cakewalk festivities turned convention on its head. The time of the dance was one in which typical order was set aside. Lowly slaves and servants were encouraged to mock the masters to whom obedience was mandated at all other times. The dancers donned fine clothes and adopted high-toned manners, and for the length of the performance they were not slaves but the stars of the show, their racial and social standing transcended. As much as the cakewalk managed to overcome these barriers temporarily, however, it reinforced them the rest of the time. Because the dance was generally sponsored and judged by the plantation owner, he became master of ceremonies, and became master of the joke as well. If the master is in on the jokes that mock him, then the jokes no longer harm his standing with the slaves. So it was with the cakewalk, which further reinforced the master’s authority in allowing him to name a winner and thus make even his symbolic overthrow an attempt to appease him and an act of his decree. That the nation’s attention came to the cakewalk is largely as a result of minstrel shows in the late nineteenth century. The dance’s exaggerated nature served perfectly for the physical, hammy humor of the stage shows, the participants generally played as goofy and bumbling as possible.
The cakewalk’s original meaning was lost; where it had originally been black slaves attempt to mock their superiors and for a minute live in autonomy, it had come to be the bumbling attempts of poor blacks to mimic the manners of whites. The dancers were no longer joking, but were portrayed as genuinely wantingto be like the superiors. This interpretation held great appeal in a nation where race relations were whites’ concerns about blacks were building steadily, and it became a way to briefly escape that tension.
Again dance had become a method of evasion and of escape, but now it was a tool for white the middle class to assure its social status and to ignore the spirit that gave rise to the cakewalk in its first incarnation.
Robert Smalls
I learned about this man in high school my mother bought me a biography about his life. Robert Smalls: Born a slave in Beaufort, South Carolina, Robert Smalls, who taught himself to read, grew up largely in Charleston, mastering the sea. In 1862, as its white officers slept, Smalls smuggled his wife and three children aboard “Planter,” a Confederate steamer, hoisted the Confederate flag and sailed it past other Confederate ships to deliver it and its secrets to the Union. After the war, Smalls served in the South Carolina Senate and the U.S. Congress.
William Still
We have all heard about the legendary Harriet Tubman although there was another African American that made an impact on the underground railroad and his name was William Still. William Still: The New York Times acknowledged William Still as the “Father of the Underground Railroad” in his 1902 obituary. Later in life, the former slave became a wealthy man, leaving between $750,000 and $1 million upon his death. Working tirelessly on the Underground Railroad, it’s estimated that Still helped as many as 60 slaves a month escape to freedom. His most enduring legacy remains the meticulous records he kept about Underground Railroad activity and, most importantly, the fugitive slaves themselves that are found within his 1872 book, “The Underground Railroad.”
William Wells Brown
Williams Wells Brown was born to an enslaved woman had her master William Wells Brownwho escaped to freedom in 1834 after about 20 years of enslavement, first rose to prominence as an anti-slavery speaker and activist. His 1847 slave narrative, Narrative of William W. Brown, A Fugitive Slave, made him a bigger draw and he traveled to England. There, in 1853, he published Clotel; or The President’s Daughter, widely considered the first published novel by an African-American. Controversial for its story line of tracing several mixed-race female descendants of Thomas Jefferson, a reference to the long rumored relationship between Jefferson and Sally Hemings, Clotel helped pave the way for other African-American novels that explored miscegenation and passing.
This article was written by: Ronda Racha Penrice
Wednesday, February 13, 2013
Best Valentine's Day Slow Jams
Happy Valentine's Day to all even though I'm single as a dollar bill I'm not hater. What are your favorite love songs from African American artists. I decided to compile my list of my favorite love songs of all time but these songs are really good to put you in the mood for Valentine's Day.
"You Give Good Love" Whitney Houston
"So Anxious" Ginuwine
"Stay" Jodeci
"I Want You" Marvin Gaye
"Knocking Da Boots" H-Town
"Emotions" H-Town
"Love Faces" Trey Songz
"Meeting In My Bedroom" Silk
"Anywhere" 112
"Speechless" Beyonce'
"How Does It Feel" D' Angelo
"Bad Habits" Maxwell
Ascension ( Don't You Ever Wonder) Maxwell
Joseph Searles
On February 13, 1970, Joseph Searles became the first African American member of the New York Stock Exchange. The Kansas State University graduate was working as an aide for New York City Mayor John Lindsey when he was offered the job as a floor trader and a general partner of Newburger, Loeb and Co.
Searles played for the Giants until 1967.
Soon after he entered politics, working for Mayor John Lindsey. Searles had two gubernatorial appointments as Chairman and Director of the State of New York Mortgage Agency where he was responsible for municipal housing issues totaling more than $600 million. Within 3 years of leaving the NFL, Searles had quit his job with Lindsay and took on the NY Stock Exchange as its first black floor trader.
This can be found at blackamericaweb.com
The article was written by Cherie S. White
How About Them Hats
Have you ever wondered why Black women wear those gorgeous hats in church? Does the matriarch of your church have a collection of hats? Growing up I watched my grandmother and many other elderly woman rock those church hats each Sunday as they sat on the front row. Back at home in Louisville I often see women rock those "church hats" for church events and the Kentucky Derby. When I get to my golden years I will be rocking some of those hats and after all I'm a Southern girl.
The earliest known traditional hats in history were worn in thebes and seen on ancient Egyptian murals. Next there were Phrygian caps that were worn by the freed slaves in Rome, signifying their independence. As the centuries went by, the traditional use of hats worn by women in church is said to originate from the Apostle Paul’s words in 1st Corinthians 11:15, which says that women should cover their heads during worship. Black women have since embraced those words with elaborate church hats.
During and after slavery, black women who worked as maids and servants broke away from their uniforms on Sunday and wore decorated hats to service. The hat, no matter what material it was made from, was adorned with ribbons, bows and flowers. It was the black woman’s one day of individualism. Since then, church hats have gotten bigger and bolder.
One of America’s most famous milliners, or hat maker, is remembered in a new permanent collection by the Smithsonian National Museum of African American Culture. The work of Mae Reeves, a milliner to the elite black women of the past, will have her shop re-created in the museum. During the 1940’s and 50’s, Mae Reeves supplied original hat creations to Lena Horne, Ella Fitgerald, Eartha Kitt and Marian Anderson.
Reeves is now 99 years old and her granddaughter, Donna Limerick, carries on the memory of her grandmother’s legacy by putting Reeve’s hats on display.
Women such as Vanilla Beane, age 94 and another East Coast milliner, kept her shop doors open for decades, Bené Millinery on Third Street NW. One of her most famous clients was the late Dr. Dorothy Height.
This can be found at blackamericweb.com Written by Erica Taylor
There is a book called Portraits of Black Women in Church Hats